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160 – Texas Chainsaws, Space Vampires, and The Poltergeist Curse: Remembering Tobe Hooper

Mike Huberty • September 6, 2017

Filmmaker Tobe Hooper passed away on August 26th, 2017 at the age of 74. Hooper was most famous for being the director on  The Texas Chainsaw Massacre  and  Poltergeist, but he also set his indelible mark on great films like  Salem’s Lot  and (the extremely under appreciated, in my opinion)  Lifeforce.  While he’ll always be remembered for having a massive impact on the the horror genre with his first big film, his other works have had real life paranormal urban legends and inspirations behind them. Allison from Milwaukee Ghosts , Wendy, and I talk about they recent Mothman investigations (Allison in Chicago and Wendy just went to Point Pleasant, West Virginia) and then we get right into our favorite Tobe Hooper movies.

First of all, we discuss the marketing behind  The Texas Chainsaw Massacre,  because the original tagline said that it was based on true events – which is completely not true! Of course, that kind of marketing helps sell tickets and makes something even scarier ( just think about  The Conjuring as a modern example ). That little bit of brilliance helped Tobe Hooper turn his $300,000 independent Austin, Texas movie turn into a 146 million dollar (adjusted for inflation) horror juggernaut that inspired sequels, remakes, and even launched the careers of Matthew McConaughey and Renee Zellweger.

But Leatherface was inspired by our own America’s Dairlyand homegrown Psycho, Ed Gein , who created his own masks of human skin from corpses he’d dig up in the Plainfield, Wisconsin graveyard. Ed died in Wendy and my town of Madison, but Allison has a fun story about her college poetry professor who used to volunteer at socials at the Mendota Mental Health Institute here and even got to dance with Ed himself (who was prone to dementia and considered good natured in his old age.) That was about as far as the “Based on a true story”, Tobe Hooper’s  Texas Chainsaw Massacre  got.  Silence of the Lambs, Psycho,  and a little known Roddy McDowell film called  It! were also inspired by Ed Gein.

Tobe Hooper made a huge impact on the cultural zeitgeist with his adaptation of Stephen King’s  Salem’s Lot for television and 11 years before kids were traumatized by  IT , it was vampires in Maine that gave them nightmares.

Tobe Hooper
Hooper and Spielberg on the set of Poltergeist

But then Tobe Hooper hit Hollywood pay dirt by scoring the directing gig for  Poltergeist.  While there was a controversy that Steven Spielberg might have been the real director, our interest comes from the curse that supposedly followed the actors involved with the production.

The story of the Poltergeist  curse has been around for at least 20 years and it involves the fact that the two of the actresses died very young, Dominique Dunne was murdered by her boyfriend and Heather O’Rourke (the girl that says “They’re here”) died of bowel obstruction complications during the filming of  Poltergeist III. 

Plenty of stories on the Internet and on reality TV try to make it seem like there’s something to the curse, and the actress who payed the mother in the first two films, JoBeth Williams, even added fuel to the fire by claiming that real skeletons were used during the making of the film ( that part might be true! ). But beyond the coincidental tragedies of the two young actresses dying young, there really is no other evidence of any Poltergeist curse.

Hooper followed up  Poltergeist  with the awesome  Lifeforce , written by Alien ‘s Dan O’Bannon, but also based on Colin Wilson’s work  The Space Vampires.  Wilson was a fiction and nonfiction writer who would often deal with the paranormal and metaphysical and what makes The Space Vampires  extra fun is that Wilson wrote the book on a challenge from Wisconsin author, August Derleth. Derleth is the one who kept H.P. Lovecraft’s world and mythology alive after his death, and he challenged Wilson to write a book in the Lovecraft vein.  The Space Vampires  was the book, and Tobe Hooper made it come alive (or undead!) with his adaption in  Lifeforce.  It wasn’t a big box office hit, but it’s been critically reevaluated in recent years for the terror-filled science fiction extravaganza that it was.

tobe hooper the saw is family
Tobe Hooper helping out one of Leatherface’s family onset

After the mid-80s and  Texas Chainsaw Massacre 2  not lighting the box office on fire, Hooper did mostly television work and one of his coolest shows was a 1991 TV show ( hosted by Leonard Nimoy! ) called  Haunted Lives: True Ghost Stories where he dramatized the events of the haunted Toys R’ Us in Sunnyvale, California. Now, that story means a lot to me since I saw it on  That’s Incredible!  when I was tiny. It probably was the first “real” ghost story that I can remember.

tobe hooper haunted toys r us
The image captured during the seance

The ghost story of the haunted Toys R’ Us in Sunnyvale, California involves a farm hand in the Nineteenth Century named Yohnny Yohanson who was in love with the owner of the farm’s daughter named Elizabeth. He loves her, she doesn’t love him, he dies in a tragic accident. One hundred years later, there’s a Toys R’ Us built on the site and strange things start occurring. Famous psychic Sylvia Browne shows up, has a seance, tells everyone the story, and they capture a photo during the seance of a “ghost”. It’s a classic ghost story made for TV and it had a huge impact on me as a kid. The fact that Tobe Hooper made a dramatized version of the events (that had way more inventive camera work and effects for a time than these shows usually had!) blew my mind!

And it’s the Toys R’ Us story that helped us decide on this week’s Sunspot song. “Broken Toy” is a track full of 1980s’ nostalgia, when Tobe Hooper was in his directing prime. In the  Texas Chainsaw Massacre  it’s Sally Hardesty’s “innocence” that saves her , which is  one of the most common tropes of slasher films that followed (deftly parodied in the third act of the first Scream  film), but still relatively novel back in 1974. The main thrust of this track is how once youthful innocence is lost, nothing is eve quite the same.

Ronnie’s got a million guns,
Protecting us from Mao Tse Tsung,
but I don’t want to think about,
”The Day After” today.

Hey boy, what did you say?
Can Voltron make it all okay?
Or will my faith that ran away,
bump into me someday?

Don’t look me in the eye,
I can’t take what it makes me see.
It opens a box of toys I broke,
and the ones that have broken me.
It reminds me too much,
of the way things used to be.
I can’t play with a broken toy,
I can’t live on a memory.

credits

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